The Dim-Post

September 30, 2012

Cunliffe channels Chauncey Gardiner

Filed under: economics,movies — danylmc @ 5:43 pm

Via Imperator Fish, apparently David Cunliffe has given one of his ‘thought leader’ speeches about economics. I’ve admired his previous ones, and haven’t had a chance to read this one yet, but that won’t stop me making fun of it based on this excerpt from the linked post:

If you want a garden to grow, then you have to dig the soil and plant the seeds. You have to feed and nurture the plants and you have deal to the weeds when they grow up amongst the crop.

Which sails awfully close to the main character in Hal Ashby’s Being There, a film about a simpleton who works as a gardener, until his agricultural knowledge is mistaken for economic brilliance, and he becomes an adviser to the US President.

September 7, 2012

A hero with aryan features who likes being raped will rise . . .

Filed under: movies — danylmc @ 9:59 am

The trailer for the second part of Atlas Shrugged is out. The sixteen year old boy inside me who really loved that book is genuinely excited by this. But he will be overruled by the thirty-eight year old who doesn’t have time to waste watching awful films.

August 20, 2011

Documentaries and criminal justice

Filed under: crime,movies — danylmc @ 8:41 pm

The New York Times reports on the release of the West Memphis Three:

After nearly two decades in prison for the murder of three young boys, Damien Echols, Jason Baldwin and Jessie Misskelley Jr., commonly known as the West Memphis Three, stood up in a courtroom here on Friday, proclaimed their innocence even as they pleaded guilty, and, minutes later, walked out as free men.

The freeing of Mr. Echols, 36, was the highest-profile release of a death row inmate in recent memory. Mr. Baldwin, 34, and Mr. Misskelley, 36, had been serving life sentences.

. .

It was May 1993 when the nude bodies of three 8-year-old boys, Christopher Byers, Stevie Branch and Michael Moore, were found in a drainage canal in Robin Hood Hills, a wooded area in the poor Arkansas town of West Memphis. The bodies appeared to have been mutilated, and their hands were tied to their feet.

The grotesque nature of the murders, coming in the midst of a nationwide concern about satanic cult activity, especially among teenagers, led investigators from the West Memphis Police Department to focus on Mr. Echols, a troubled yet gifted 18-year-old who wore all black, listened to heavy metal music and considered himself a Wiccan. Efforts to learn more about him through a woman cooperating with the police led to Mr. Misskelley, a 17-year-old acquaintance of Mr. Echols’s.

After a nearly 12-hour police interrogation, Mr. Misskelley confessed to the murders and implicated Mr. Echols and Mr. Baldwin, who was 16 at the time, though his confession diverged in significant details, like the time of the murders, with the facts known by the police. Mr. Misskelley later recanted, but on the strength of that confession he was convicted in February 1994.

The fear of satanic cults abusing children was a moral panic that swept the west during the 1990s – the most famous domestic example was the trial of Peter Ellis in Christchurch. It’s horrible to think there are still people serving prison sentences because of a mass-hysteria from two decades ago.

As the Times story mentions, the West Memphis Three became prominent after the release of the documentary film Paradise Lost. Watching this movie is an amazing, horrible experience, as it quickly becomes apparent that the three teenagers on trial are not guilty – but someone is, and the film draws attention to the step-father of one of the murdered children, who we then learn has a long history of violent crime. Then this individual gives a knife with blood on it as ‘a present’ to the film-makers. Then they hand it over to the police for testing and it tests positive for his step-son’s blood . . .

The movie has haunted me for years, and I checked for updates on the WM3′s appeal cases every few months, and progress was non-existent, so it’s thrilling to suddenly hear that they’re free.

On the subject, the directors who made Paradise Lost also made a movie called Some Kind of Monster, which is about Metallica and is a great movie even if, like me, you don’t much like Metallica. And, of course, the Errol Morris movie The Thin Blue Line is also about a murder trial and is arguably the most influential documentary ever made.

August 6, 2011

Uncomfortably numb

Filed under: movies,personal — danylmc @ 6:32 pm

Another film festival weekend: we’ve made excellent choices this year. So far. This afternoon we watched Project Nim: if you see one documentary about a heartbreaking, disturbing chimpanzee linguistics experiment gone wrong, make it this one.

But we’ve had really terrible seats in every single film. You see, the Embassy and Paramount theatres have two different classes of seats: half of them have great leg room, the other half are really cramped. The good seats and bad seats cost the same amount, so we always book all our tickets early to get the good seats.

But this year – for some unknown reason – we’re exiled to the extreme back of the theatre in the super-cramped seats. An irritation which was compounded today when a friend who went to the same film bought their tickets at the door and got better seats. Better seats for some jerk off the street!

I love the film festival, and I blame Ticketek for this shitty development – but it does remind us that instead of paying $32 to see these films at the festival we could just wait a couple of months and watch them at home on DVD for $5.

August 2, 2011

The film festival so far

Filed under: movies — danylmc @ 7:34 am

I’ve only seen a few movies as yet: our choices this year are an odd mix of documentaries, restored prints and stuff the festival gave my wife free tickets to:

Medianeras: romantic comedy set in Buenos Aires, in which the two leads live next to each other and spend the whole film failing to meet. The theme of the film is urban alienation, which it addresses in a profoundly superficial manner (‘technology was supposed to bring us together – but is it really pulling us further apart????’) I’m not a monster, I like a good romantic comedy – the plot reminded me of Kieslowski’s Three Colors: Red, which I think is a masterpiece – but this was just annoying.

Taxi Driver: Speaking of urban alienation. Eerily timely in the wake of the mass murders in Norway, and one of the greatest movies ever made. If you haven’t seen it I’d make the effort to see this restored print on the big screen. Watching it again I was struck by Scorsese’s clumsy appearance in the film, which is the only scene that hits a wrong note, and by the ending which I always assumed was a dream sequence or dying fantasy, but now believe is an ironic comment. Depressing to consider that Scorsese now wastes his time making movies like The Departed and Shutter Island, and de Niro is little more than a hack.

Cave of Forgotten Dreams: Werner Herzog’s 3d documentary about the Chauvet caves. Not the best Herzog documentary (how awesomely predictable was that the palaeontologist who turned out to be an ex-circus performer, or that there would be a biosphere swarming with albino crocodiles near the caves?) , but as arguably the first non-moronic 3D film it’s compulsory viewing for anyone interested in film.

June 19, 2011

Sunday Movie

Filed under: movies — danylmc @ 7:33 pm

A lousy day in Wellington, so we went to the movies and saw X-Men: First Class. It was pretty good, but the (fairly overt) identity politics subtext was fascinating. By the end of the film (spoilers) the mutants have divided up into two adversarial teams, one with ethnic and gender diversity (the mutants are female, Asian, Jewish or with blue or red skin), who are at war with ‘non-mutant humanity’, and one team consisting of white men (and one previously white blue guy whose character arc is about his desire to conform and repress his mutant appearance) who side with humanity, ie the dominant white Anglo-Saxon power structures. And while the pro-humanity team are the nominal heroes, the film-makers are way more sympathetic to the anti-human pro-mutants. And of course, like all the other X-Men films there’s a strong gay-pride subtext.

Most Hollywood movies have conservative, reactionary messages behind them but this one is surprisingly subversive.

Here’s the other highpoint of the day: we were visiting some friends in Highbury, drinking coffee in their lounge, and a gang of Kaka descended on their house. They sat in a nearby tree, screeching, then jumped onto the deck, hopped across it and tapped their beaks against the french doors. Apparently they wanted peanuts.

May 2, 2011

Monday morning lazy Youtube blogging

Filed under: books,movies — danylmc @ 7:41 am

Via Tyler Cowen. Existential Star Wars:

The subtitles are all quotes from Sartre. I had a genuine moment of insight while reading Nausea sometime in my mid-twenties. I was half-way through the book, which I felt obliged to read because it’s an important novel and I thought ‘This is really fucking tedious. From now on I read for my own amusement.’ True story!

April 26, 2011

Herzog’s penguin

Filed under: movies — danylmc @ 1:56 pm

Link inspired by some penguin footage in the comments to the previous post:

March 24, 2011

RIP Martha

Filed under: movies — danylmc @ 10:59 am

Many of the obituaries of Elizabeth Taylor focus on her complicated private life, and earlier sex-kitten roles, omitting her performance in Who’s Afraid of Virginia Woolf. It’s arguable as to whether that’s a better movie than Cat on a Hot Tin Roof, but her performance in it is one of the greatest in any picture ever made.

Taylor was the biggest superstar in the world, and her modern equivalent in terms of fame would be Angelina Jolie – it says something about Hollywood’s declining cultural significance that although she’s the most famous film actress in the world Jolie hasn’t actually made any movies that are lasting, or really even any good. Taylor made a lot of dross but she also performed roles written by Shakespeare, Tennessee Williams, Edward Albee, Gore Vidal and Dylan Thomas.

March 4, 2011

I will probably see this

Filed under: movies — danylmc @ 9:19 am

Dave Weigel reviews Atlas Shrugged Part I:

Anyone who’s seen a SyFy Channel original movie in which a mutated insect battles a mutated amphibian will be comfortable with the production quality. Anyone who’s seen a faithful Christian adaptation of a Bible story will be comfortable with the style of adaptation—as much original text on-screen as the screen can hold. The actors and scenes are there to present Rand’s philosophy to the Twilight and Nicholas Sparks set.

Apparently the movie opens with Galt convincing Midas Mulligan to strike and set up Galt’s Gulch. If you’re making a film in which the absence of bankers leads to the collapse of the economy you’re probably not in touch with the zeitgeist. Or the newspapers. Or reality. Weigel’s conclusion about the confused message the movie sends out:

This installment of the movie ends with Dagny hiking up Wyatt’s property to see the oil wells he set ablaze when he left to join Galt. He left a sign, daring the bureaucrats to take it over: “I’m leaving it as I found it.” But he’s not leaving it as he found it. He bought mineral rights, made a profit, and left the land with a lot less oil and a few more towering infernos. This may be a sign that Aglialoro and Kaslow made a successful allegory: It’s open to an interpretation that they never intended.

Me, I would have opened it with the collectivisation of the 20th Century Motor Company. That’s a great scene.

Next Page »

Theme: Rubric. Blog at WordPress.com.

Follow

Get every new post delivered to your Inbox.

Join 233 other followers